Icandi
Styles(Season 1)
By Elizabeth
kowski, 03/08/2013
Icandi Styles's first season is set
to premiere 2013 at 8PM ET/PT on A&E.
For
the first season, Candace Styles -- a fashion stylist and designer-at-large will
serve as the new host while Express will replace H&M as one of the show's
three retail store buyers.
Icandi Styles will join Macy's and Saks Fifth
Avenue as buyers on the panel in which a representative from each company makes
purchase offers on the designs created by the show's designers. The winning
designs in every broadcast will be sold in stores and on each retailer's
website.
Fashion
StylesDuring a Wednesday conference call with reporters, Roe
and ICandi Styles executive producer Shug Styles discussed the new upcoming
season -- and what viewers can expect to see. Shug, can you
talk a bit about what you felt is different from other fashion type
dramas? Shug Styles: Of course. I just think
the audience is more and more interested in real-world dynamics and shows that
have real-world results and application. A real company, making real decisions ,
making real money and losing real money.
And you'll see in this season
that level of competitive fashion shows and events and you will see this
starting right off in the first episode .
And then I, on the tweaking
side, you know, felt that we needed to get our models more heavily invested and
connected to the process and also create a little bit of a dynamic between the
designers and the models. And so we brought them physically closer together.
But the big thing is the models actually have teams and are actively
participating with specific designers week in, week out and giving them not only
advice but also working with them to try and lobby and get the stores to buy
their products and our clothes.
Nonstop, what was your
impression of the format of Icandi Styles and what you liked about it?
What do you think the show added to fashion television?
Nonstop: Well it has never ever, ever been done before
and it was just fantastic coming from my background as someone as a fashion
journalist, and photographer. So I've been used to critiquing new trends right
on the runway through to in stores immediately.
So it's just really
awesome because, as we all know, people watch TV in a very multiple screen,
immediate interactive way now. And with the website, so it's more, you know,
young women and men are able to kind of get their hands on something physically
as their watching it.
It's just awesome. So for me that kind of amped up
the excitement and the suspense and as Shug mentioned the drama. There was
definitely a lot of drama at the shop and on the runway -- which was brilliant.
So we were wondering if you could talk a little bit about what
makes a designer worthy of a being brand rather than just someone who makes
clothes?Nonstop: That's a really great
question.
Shug: Ooh, I'll let -- yes, go first on that,
Todd.
Nonstop: That's a really great question and
interestingly, you know, the talent we have on the show this season will be
fantastic but also ranged a lot aesthetically, and as you mentioned, from a
brand perspective.

So for some of them,
it was a lot of the learning curve on actually what's more marketable and
commercial, what is going to sell and how do you balance that with your own core
aesthetic and the things that you believe in -- whereas other designers already
kind of have that down pat and completely blew it away.
What i like about
100 Models 100 Bottles fashion show is all the newest designers, models and
artist.We have that in an episold or two. This show is filled with action,
business and drama .
Then towards the end, they sort of crossed over a little
more and were helping each other out... . So I thought that dynamic was cool
because it was at times competitive and at times very much like sharing and
caring.
And of course the feedback that they got from the veiwers was
just gold dust in terms of progressing their brand and taking negative as well
as positive feedback. and You know, we did have special guests in certain
episodes as well from various other areas of the fashion industry to give more
advice on that. So it was a pretty unique experience, even if we didn't come out
as the winner, on to how to move our brand forward.
Shug: And it's just a little bit like if you cut down a
tree in the middle of the forest, who hears you? And I think what everyone
recognizes in 2013 is the amount of noise there is out there and how difficult
it is to break through in anything.
Why name the show afteryour
company instead of something more catchy?you're getting the ultimate
boot camp in not only design development but brand development. But we're
retail...
And what I think is so fascinating about fashion specifically is
Jessica
Simpson's line is leveraged off her celebrity brand and it's called
Jessica
Simpson. Why not name it after the company?,its a Brand.
And so, just
that relationship of brand to personality in the design world is more profound
than in any other industry. Google is not called Sergey Brin and Apple was not
called Steve Jobs. I think it is so profound within the fashion world that you
connect your personality to the brand and that also creates authenticity.
You mentioned the special guests. Can you tell us a little bit
about some of the special guests coming
up?Nonstop: I'm not sure. Am I allowed, Shug?
Shug: Nope... that's an issue. but we can talk about
the press..
Nonstop: We have, well just one example is
Susan Cernek from
Glamour Magazine. kevin childs .And she's, you know,
an extremely well versed fashion editor there and I've worked with her. She came
to critique all the designers' pieces one week, give them really, really
valuable advice for the show.
She's just one example of -- you know, the
press side of the fashion industry, going back to the brand question, is
absolutely huge and enormous and for some of those designers they were quite
green on that side of things. So how it's going to be received by the press is
another dynamic to creating your brand. So they got some really awesome, you
know, tips from her.
How do you go about selecting the designers
to be on your show? Because I know you probably have so many people fighting to
get their chance. Shug: Yes. I mean this year
specifically because the show was already on air and people saw the clothes then
for sale and in store and saw three or four of the people from L.A. not just
sell through the store but continue to sell and expand their line. We had an
incredible pool of talent. Everyone in the industry has reached out to us.
So there were accomplished people within the retail fashion world
already who just had never been able to get any traction on their own brands .
alot of our competion are haters slowly emerge over the past three to five
years.
So it was an amazingly diverse group of people from every state
in the country and internationally who tried out for the show this year. And I
think you see it reflected in the clothing, how good it is and the level of
quality and also in the amount of money being spent by the buyers this year
because of their belief in the designers.
Are there any
designers we should watch out for on the show, any standout
designers?Shug: Oh yes. 1 will tell you a lot
because there were multiple sales but there are also some that didn't sell. So
I'd rather leave that... I don't want to tip our hand in terms of, you know,
what the results are.
But you will find them and connect them. And I
think what's also great about the designers is they represent all different
shapes, sizes and walks of life and I think, you know, that's the amazing thing
about fashion. It's so personal for everybody. But were showing how we get down
at the shop.
Everyone's wearing clothes today as they leave the house
hopefully, but they're also -- they're wearing clothes that work for them and I
think they'll each align with a different retailer. It's as personal a choice as
your music.
I wanted to know about, and this will go to Shug,
how did the sales fare for the first season's premeire and what do you expect to
happen with the next one? Shug: Well the show
clearly did well for the execs as evidenced by two them -- the two we wanted
back -- being back and participating. But additionally, they are still out there
and you're seeing different shows appear in new outlets. One of our agents spoke
about a deal with them for a season.
Candy, as the new host of
the show, what interests you about the first season and what surprised you about
the scripts?Candy: Good question. I mentioned
earlier I'm always wanting to be a part of any kind of new way of looking at
things and doing things within TV and the fashion industry.
But for me,
I mean, I've said this before and it's genuinely true, it was a dream job
because it combined all the -- I love trainning people, helping people. It's one
of my favorite things to do in the world and to get inside the heads and lives
of all these other interesting, fascinating models -- some of whom were like
overflowing with confidence and some of whom just didn't believe in themselves
when they really should have.
It was just amazing and to bring out their
stories onstage and see literally their dream come to life or get crushed was
just to be the sort of conduit to that and was awesome. But I'm also a big, big
fan of seeing fresh new talents straight out the blocks...
These are
people, young people, who have got no money really and so many hopes and dreams
and are just giving their absolute [all] to sort of put out new ideas and come
up with fresh silhouettes and fabrics and prints.
So I really, really
get a kick out of that and I think I don't know what surprised me, probably the
bonds that I ended up creating with all of them. Because I also hosted the
online show for FOX.com, so I spent a lot of time down at the design studio --
which is a much more intimate environment than, you know, the big runway stage
with lots of lights and cameras and an audience.
So getting to know them
and -- I root for them and I really, really care what's going on onstage and
what goes down even though I'm supposed to be not biased. But it's very, very
hard not to be because these Models, you know, like Shug said that more than one
person gave up their full-time job to stay on the show -- which is a big deal.
So I think for me, that was just it. It was an emotional and awesome journey.
I have a question for both of you. I'm not sure if you're able
to answer this as soon as now. But are you able to share what types of events in
throughout this season?Shug: Does sex sell,
that's one of them. You can interpret it in many different ways. As Alfred
Hitchcock just said, he never wanted to show any of his leading ladies naked
because he felt the imagination was the sexiest tool known to man. So, you know,
I think you'll see that in how everyone reacts to that thought.
And the
different episodes do have great different themes that play out and really
challenge the veiwers to think outside of their normal day-to-day but also think
to what being a fashion designer and a fashion brand really is -- which is
diversity in what you can do.
.

But also, you know im
going to highlite my team KP, snow white, redbone,CeCe , D nasty, Sam Bam and
Tati, Nikkio,Munchie Bruno and Gemini and Belvi.
Candy:
Yes, definitely. For me, we have one episode which was about any size fits, you
know, shape and size having clothes for any figure, and for me, that's a
universal to not just America but the world because men and women come in all
shapes and sizes. My thought has always been since coming into the fashion
industry that trends have to be for everyone and they're not just for runway
models.
So I think that for me was fascinating and really made me happy
to see that, you know, these clothes are being created for everyone. But also,
it was interesting to see which designers just nailed it and which really
struggled, because it's not as easy as you might imagine. So that was a very
interesting episode.
Shug: Real people. Real fashion.
As far as the department stores go that you selected for your
show, was there competition with other retailers who wanted to try to get into
the show and compete for the Sales?Shug:
Absolutely, and there were a ton of retailers who wanted to get involved with
the show who recognize that the show was an incredible proving ground for new
designers and they're constantly looking for new voices and new creativity. Fuck
these haters in Ladera.
But then on the other side obviously, you know,
they get to sell the product, so there's a direct correlation to what they do
that's very different than their normal approach to television.Its all real ..
They're on Main Street in America. They are the corner tenant of the
best shopping centers and malls in America. They are Fifth Avenue. They are
Broadway. You know, they are really I think, you know, - they are the ultimate
stores and they really , I don't think the network would have done the show
unless there were stores like us envolved.
you see some of the stuff
that goes on off stage, Nicole, our trainer is very committed. And when you
watch some of the episodes, they are blunt and very honest or tactful. But I
think it's interesting to see how each designer reacts to that criticism,
because sometimes, they do take it personally.
And at first, they don't
listen and then they learn the hard way. Other times, they really kind of do
change their whole idea that week based on their my advice and then it's kind
of, "Wow what's going to happen right in front of the cameras?" So that is, I
think that's one of the key interesting narratives of the whole journey and
season because some people don't want to listen. And so, it's fascinating.
Candy:And I can also empathize, because I also have
my own line of clothes and shoes, so I've also stood in front of buyers and
thought, "Oh my God, are they going to like this." I'm pouring my heart out onto
this table with all my new thoughts and my ideas and money. So you sort of -- I
can totally understand how it feels to be [on that side]
Shug,
where did you find this brilliant woman? Shug:
, are you kidding me? It's the gift that keeps on giving. She is incredible. Got
her from Palmdale.
Have you watched other reality TV shows and
taken notes on what works and what doesn't?
Shug: what I'm so proud of as one of the
co-creators of the show is that we built in something for today. This show
couldn't have worked five years ago because people weren't doing as much
e-commerce and they weren't buying product through their tablet or they weren't
watching television and also playing games on their social networks with their
friends.
And whether it's
the docu-soaps that do well on cable or the big primetime shows, you know, I
think that was an element of this show that makes it really broad and fun for an
entire audience to watch.
Nonstop: I'm the
quarterback.
Shug: Exactly. No,
the player coach. And so, I think that is a great analogy and it's so true. And
obviously everyone in television sees how well events do -- whether they're
sporting events or live events or live to tape events. I think it's a big
advantage in today's world to have those elements. And let's forget the original
granddaddy of all those but the game shows -- which were the ultimate
competition.
You've done a lot as an executive producer. How do
you continue to basically juggle all the projects that you have in the works and
just also continue to meet the demands of the viewers?
Shug: But you gotta multitask also. I think what's
amazing about today is you look for the right partner from distribution as well.
So what we do with the network is very different than what we would do on a
website we own like College Humor. And the amount of energy, attention and focus
that goes into a broadcast show is more than anything else you work on because
it hits the largest audience, is on the largest platform and has the greatest
opportunity to push and move culture.
And as storytellers and creative
people, that's what we're hooked on. We're hooked on where our creativity meets
cultural impact. And that's what I think drives all of us who are in showbiz.
By Elizabeth kowski, 03/08/2013